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Citizen Kane · 1941

Opening Sequence

A NO TRESPASSING sign, a series of dissolves up to a dark castle, and one whispered word that sets the whole film in motion.

Watch for

  • The dissolves that carry us up the fence and through the grounds — the camera ignores the sign it just showed us.
  • The low-key lighting and the single lit window that never moves in the frame.
  • The extreme close-up of the lips, the snow globe, and the word that becomes the film's question.

A worked reading · COCA

CContention
Welles opens with a trespass — the audience is invited to intrude on a private life, which is exactly what the film goes on to do.
OObservation
The sequence begins on a NO TRESPASSING sign and dissolves through gates and grounds toward Xanadu, holding the lit window in the same screen position through every change of shot.
CConnotation
Ignoring the warning sign codes the camera as an intruder, while the unchanging window suggests a fixed obsession at the centre of everything.
AAudience
We are positioned as investigators before the plot even starts, and handed a mystery — "Rosebud" — to solve.

Your turn

  1. What does the camera do that the sign tells us not to, and why does that matter?
  2. How do the dissolves handle time and distance differently from cuts?
  3. What questions has the opening planted in your head before the story begins?
For teachers

Perfect companion to the existing Citizen Kane deep-focus scene — the same film, a completely different technique. Great for openings and for camera-as-narrator.

Up next ▸ The Boarding House — Citizen Kane (1941)

See also

Related scenes